Education – Documents of Contemporary Art
- Type
- on subject
- Auteur
- Suzanne Lacy, Stuart Bailey, Jacques Rancière, Jimmie Durham, Pablo Helguera, Jan Verwoert, Andrea Phillips, Allan Kaprow, Andrea Fraser, Lars Bang Larsen, Mary Kelly, Harrell Fletcher, Roy Ascott, Thierry de Duve, Allan Sekula, Janna Graham, Irit Rogoff, Antonio Negri, Pierre Bourdieu, Luis Camnitzer, Ernesto Pujol, Claire Bishop, Miriam Schapiro, Caroline Tisdall, Jorella Andrews, Tom Holert, Suely Rolnik, Eve Kosofsky Sedgwick, Griselda Pollock, Alex Farquharson, Lisa Tickner, Henry A Giroux, Dennis Atkinson, Carol Becker, Caroline Benn, Pen Dalton, Paul Dash, Dinah Dossor, Elliot W. Eisner, Paulo Freire, George E. Hein, Vincent Katz, Grant H. Kester, Carmen Morsch, Adrienne Rich, Ziauddin Sardar
- Artist
- Darcy Lange, Joseph Beuys, Maria Pask, Mike Kelley, Dave Hullfish Bailey, Artur Żmijewski, Liam Gillick, Martha Rosler, Wendelien van Oldenborgh, Thomas Hirschhorn, Paweł Althamer, Tania Bruguera, Lygia Clark, Bridget Riley, Lia Perjovschi, Andreas Siekmann, Luca Frei, Edgar Schmitz, Ricardo Basbaum, Group Material, Carey Young, Josef Albers, Anni Albers, Paul Rooney, Judith Scott
- Editor
- Felicity Allen
- Publisher
- MIT Press, Cambridge, Whitechapel Art Gallery, London, 2011
- Code
- THEO-ALLEN-1
- Details
- 240 pages
See also
Cultural Anthropophagy – The 24th Bienal de São Paulo 1998
Cultural Anthropophagy – The 24th Bienal de São Paulo 1998
Being Singular Plural
Being Singular Plural
Being Singular Plural
Die Rezeption der Philosophie Ludwig Wittgensteins in der zeitgenössischen Kunst
Die Rezeption der Philosophie Ludwig Wittgensteins in der zeitgenössischen Kunst
Die Rezeption der Philosophie Ludwig Wittgensteins in der zeitgenössischen Kunst
Great Expectations – Prospects for the Future of Curatorial Education
Great Expectations – Prospects for the Future of Curatorial Education
Great Expectations – Prospects for the Future of Curatorial Education
The political economy of art – being the substance (with additions) of two lectures delivered at Manchester, July 10th and 13th, 1857
The political economy of art – being the substance (with additions) of two lectures delivered at Manchester, July 10th and 13th, 1857
The political economy of art – being the substance (with additions) of two lectures delivered at Manchester, July 10th and 13th, 1857
Idols of the market – Modern Iconoclasm and the Fundamentalist Spectacle
Idols of the market – Modern Iconoclasm and the Fundamentalist Spectacle
Idols of the market – Modern Iconoclasm and the Fundamentalist Spectacle